Biography

Hannah Perry (b.1984, Chester, England) lives and works in London. Perry received her BA in Fine Arts from Goldsmiths College, University of London and her MA from The Royal Academy of Art, London.

 

Perry works across in installation, sculpture, print and video. Continuously generating and manipulating materials (footage, sound clips, images and objects) Perry develops a sprawling network of references, carefully exploring personal memory in today’s hyper- technological society whilst bending back the systems of representation via hyperactive distribution. She is guided by music or speech, repetition, focalisation and deceleration, revealing the strength of our personal investment in images of the illusory (youth, power, sex, taste, lifestyle) as well as the prescriptive nature of these desires.

 

Recent solo exhibitions includeFilm Stills, Galerie Kandlhofer, Vienna (2025); Manual Labour, Baltic Centre of Contemporary Art, Newcastle (2024-5); NTNT, Chester Contemporary, Chester (2023); The Momentary, Crystal Bridges Museum of Modern Art, Bentonville (2021); A Smashed Window and an Empty Room, Kunstverein Hamburg (2019); GUSH, Towner Gallery, Eastbourne (2019); Liquid Language, MOCA Toronto (2019); GUSH, Somerset House, London (2018); Rage Fluids, The Künstlerhaus, Gratz (2018); Viruses Worth Spreading, Arsenal Contemporary, New York (2017); 100 Problems, Contemporary Fine Arts, Berlin (2016); Present/Future, Artissima, Turin (2015); Mercury Retrograde, Seventeen, London (2015); Hannah Perry, ICA London (2015); You’re gonna be great, Jeanine Hoffland, Amsterdam (2015); Steve Turner, Los Angeles (2015);

Exhibitions
Works
  • Installation View: Film Stills
    Hannah Perry
    Installation View: Film Stills, 2025
  • On the Bonnet (swish)
    Hannah Perry
    On the Bonnet (swish), 2023
    Aluminium, Autobody wrap, acrylic paint
    95 x 80 x 15 cm
    37 3/8 x 31 1/2 x 5 7/8 in
  • Snake Tan
    Hannah Perry
    Snake Tan, 2023
    Aluminium, autobody paint
    95 x 80 x 5 cm
    37 3/8 x 31 1/2 x 2 in
  • Trash Gint
    Hannah Perry
    Trash Gint, 2023
    Aluminium
    95 x 80 x 5 cm
    37 3/8 x 31 1/2 x 2 in
  • GUSH; Towner Art Gallery, Eastbourne; Installation view
    Hannah Perry
    GUSH; Towner Art Gallery, Eastbourne; Installation view, 2019
  • swish
    Hannah Perry
    swish, 2019
    Digital print, screen print, car heat wrap, paint, car lacquer on aluminium
    121 x 147 cm
    47 5/8 x 57 7/8 in
  • Mechanism
    Hannah Perry
    Mechanism, 2018
    Digital Print, Paint, Car Lacquer on Aluminum
    Digitaldruck, Farbe, Autolack auf Aluminium
    120 x 99 cm
    47 1/4 x 39 in
  • Rage Fluids; Künstlerhaus Graz; Installation view
    Hannah Perry
    Rage Fluids; Künstlerhaus Graz; Installation view, 2018
  • Hands on
    Hannah Perry
    Hands on
    Screen print on mirror
    48 x 100 cm
    18 7/8 x 39 3/8 in
  • Crashing Crashing
    Hannah Perry
    Crashing Crashing, 2019
    UV Digital print, screen print, car heat wrap, paint on dibond with steel frames
    121 x 147 cm
    47 5/8 x 57 7/8 in
  • Hell-o
    Hannah Perry
    Hell-o, 2018
    Screen print, digital print, paint and vinyl on mirror
    Unique
    140 x 100 cm
    55 1/8 x 39 3/8 in
  • Keying Cars
    Hannah Perry
    Keying Cars, 2018
    Screen print, car heat wrap, PVC on aluminium
    101 x 80 cm
    39 3/4 x 31 1/2 in
Publications
Press

2024

The Guardian, Monuments to motherhood, cinematic dreams and a ‘wild beast’ – the week in art, Jonathan Jones

Art Monthly, Nr. 479, September, Hannah Perry: Manual Labour, Matthew Bowman

Artforum, Hannah Perry: On masculinity, femininity, and the body as a site of gendered labor, Dorrell Merritt

The Observer, August, Hannah Perry: Manual Labour, Laura Cumming 

Elephant Magazin, A Gyrating Pelvis, a Sheet of Metal, and Two Newborn Babies: Hannah Perry’s ‘Manual Labour’, Will Jennings

Wallpaper Magazine, Hannah Perry, Manual Labour, 2024. Film still, Emily Steer

 

2019

CURA.31, Hannah Perry, Out of your head and into your body, Attilia Fattori Franchini

Art Review, Hannah Perry at River Rooms, Somerset House, London, Jacob Bolton

  

2018

The Guardian, What to see this week in the UK, Jonathan Jones

The Art Newspaper, Hannah Perry: Paying tribute to an absent friend, José da Silva

Wonderland Magazine, British Artist Hannah Perry debuts GUSH, Maybelle Morgan

FAD Magazine, GUSH: In Conversation with Artist and Somerset House Studios Resident Hannah Perry, Huma Kabakci

Elephant Magazine, Hannah Perry: We Need to Talk about Mental Health, Charlotte Jansen

  

2017

Whitewall, Hannah Perry's: Viruses Worth Spreading

Art Review, Hannah Perry: Viruses Worth Spreading, Jeppe Ugelvig

Frieze, Mr Pharmaceuticals

Art Magazin, Das Leben ist eine Baustelle (print)

Flash Art, Hannah Perry: Contemporary Fine Arts, Berlin, Louise Elderton (print)

 

2016

Exberliner Magazine, I wrote hate mail that I will never send, Amanda Ribas Tugwell (print)

 

2015

Artsy, Up and Coming: Mounting Her U.S Debut, British Artist Hannah Perry Plays a Deconstructed Film to an L.A. Audience.

 

2014

The New York Times, On Screen and on the Block, Scott Reyburn

 

2013

The Independent, Art Review: Open Heart Surgery, The Moving Museum, London, Zoe Pilger

Frieze, Focus Interview: Hannah Perry, Sam Thorne

LEAP, Moving Up: Hannah Perry

Art Forum, The Instability of the Image, Ashitha Nagesh

Mousse 39, Mess She Said, Laura Mclean-Ferris (print)

 

2012

Rhizome, Artist Profile: Hannah Perry, Alex Freedman