Overview

Estrid Lutz is a French artist born 1989 living and working in Puerto Escondido - Oaxaca Mexico. Lutz’s earliest artistic works could be seen as violent explorations of the surfaces where human interaction with non- human occurs, and effect takes place. All artworks embody her reoccurring interest in the concepts of the natural and the technological, often finding emotional or empathetic connections as well as physical touch-points between the two.

 

Since 2018, Lutz has lived and worked in Puerto Escondido, Oaxaca, Mexico where she found the perfect environment to develop her work in by observing the rough natural environment of Zicatela, one of the most dangerous surf beaches in the world. In Puerto Escondido, Lutz has continued her research into biological organisms and ecosystems, and how humans and their technological materials are inspired by, interact with, and have an effect on these. Several experiments have had a direct relationship with the waves and beach: A hands-on approach that tests the boundaries of what’s possible.

 

Explorations include being flown over the waves and between whirlwinds in an Ultralight Aircraft to drop drawings and flowers into the ocean, having artworks taken out to sea on her behalf and documented in the pipelines, and burying the edges of large lenticular, photo- luminescent, and sun-sensitive works in the sand.

Lutz’s practice embodies the blurring of dichotomies, investigating the interactions between the human-technological (science, polystyrene, aircraft) on the one hand, and the forces of nature on the other (pipelines, whirlwinds, animals) with sensitivity to emotional communication. In face of something more powerful than us, what is the significance of dropping flowers into giant waves?

Exhibitions
Works
  • Dead Corals Galaxy_Sensitive Chaos
    Estrid Lutz
    Dead Corals Galaxy_Sensitive Chaos, 2024
    Aluminum honeycomb, epoxy resin, glass fiber, ink
    121 x 84 x 3 cm
    47 5/8 x 33 1/8 x 1 1/8 in
  • Ocean Bodies_Milky Way
    Estrid Lutz
    Ocean Bodies_Milky Way, 2024
    Aluminum honeycomb, epoxy resin, glass fiber, ink
    122 x 85 x 3 cm
    48 x 33 1/2 x 1 1/8 in
  • Collapse 0000004
    Estrid Lutz
    Collapse 0000004, 2023
    Inject prints on photographic paper-lenses UV treated-air injected, honeycomb aluminium anti corosion/high temperature resistant, epoxy-resin, glass fibre
    101 x 71 x 10 cm
    39 3/4 x 28 x 4 in
  • Collapse 0000006
    Estrid Lutz
    Collapse 0000006, 2023
    Inject prints on photographic paper-lenses UV treated-air injected, honeycomb aluminium anti corosion/high temperature resistant, epoxy-resin, glass fibre
    103 x 71 x 15 cm
    40 1/2 x 28 x 5 7/8 in
  • Collapses Mesh Generator
    Estrid Lutz
    Collapses Mesh Generator , 2023
    Epoxy resin, honeycomb aluminum, ink, glass fiber
    230 x 140 x 4 cm
    90 1/2 x 55 1/8 x 1 5/8 in
  • Galactic Abyss _ Portal 002
    Estrid Lutz
    Galactic Abyss _ Portal 002, 2023
    Aluminum honeycomb, epoxy resin, glass fiber, ink
    100 x 65 x 3 cm
    39 3/8 x 25 5/8 x 1 1/8 in
  • Installation View: Galerie Kandlhofer at Viennacontemporary 2023, Booth A06
    Estrid Lutz
    Installation View: Galerie Kandlhofer at Viennacontemporary 2023, Booth A06, 2023
  • Undefined Shape
    Estrid Lutz
    Undefined Shape, 2022
    glass, colored demineralized water
  • Undefined Shape
    Estrid Lutz
    Undefined Shape, 2022
    glass, colored demineralized water
  • Overflows Orbits Davisdddneedles
    Estrid Lutz
    Overflows Orbits Davisdddneedles, 2021
    ink, glass fiber, plastic cable
    198 x 130 x 5 cm
    78 x 51 1/8 x 2 in
  • Weavers Mesh Generator
    Estrid Lutz
    Weavers Mesh Generator, 2021
    Epoxy resin, honeycomb aluminum, ink, glass fiber, plastic cable
    230 x 140 x 3 cm
    90 1/2 x 55 1/8 x 1 1/8 in
Publications