Simeon Barclay (b.1975 in Huddersfield, UK) lives and works in London. He attended Leeds Metropolitan University, Chelsea College of Art and Design, London and has an MFA Fine Art from Goldsmiths College, University of London.

 

Barclay draws upon a rich vein of pop cultural sources, producing works that activate complex cultural histories, whilst exploring the ways in which we navigate identity, both imposed or self-curated. Combining a diverse range of media, Barclay creates reductive, sophisticated works that engages with aspects of aesthetics, British culture, subjectivity and memory.

 

After spending his formative years working in the manufacturing industry in the North of England, Barclay would attend night school, eventually obtaining an MFA from Goldsmiths College, London (UK). As a youth, he became preoccupied with fashion, citing its vitality as a conduit for both embellishment and resistance. Fashion’s social and economic contexts were also relevant, providing a dichotomy between his fascination with Vogue magazine; a periodical whose glamour and theatricality provided aspirational imagery, and the stark contrast that was his everyday reality, and life working in a factory. These insights would later foster the impetus for his involvement in various subcultural movements whose symbolic and alternative modes of expression defined themselves in opposition to social norms.  

 

This personal evolution, coupled with an understanding of wider social concerns around the rhetoric of belonging, and the place of the diaspora as stakeholder in the shaping of an evolving British culture, have contributed to Barclay’s sharp awareness of the psychological, socio-cultural and political contexts that inform lived experience. These are formally articulated through a complex interplay of the sonic, collage, an archival approach to the appropriated image, sculpture, video, objects and the re-interpretation of the gallery space through installation. Barclay’s background in industry directly feeds into his work, addressing narrow constructions of masculinity as well as informing the glossy surfaces and use of industrial fabrication techniques throughout his work. The seemingly disparate and contradictory influences allow Barclay to expand his research examining alternative narratives as well as addressing the complexity of inheritance, aspiration and desire.

 

Recent exhibitions include: Bus2move, Gateshead, 2019; Liferoom, Manchester, 2019, Survey, G39, Cardiff, 2019; Bus2move, Leeds, 2018; Survey, ‘Knock Knock’, South London Gallery, London, 2018; ‘Common Third’, Copperfield Gallery, London, 2018; ‘It's not There Till it's There’, Galerie Lisa Kandlhofer, Vienna, 2018; ‘We Are Where We Are’, Baltic 39, Newcastle, 2018; ‘Repeats (Figures and Infrastructures)’, Sixty Eight Art Institute, Copenhagen, 2018; ‘Art Now: Simon Barclay, The Hero Wears Clay Shoes’, Tate Britain, London, 2017.