Anastasia Samoylova: Focus On Section

28 April - 28 Mai 2022

  • Anastasia Samoylova

    Focus On
     

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    In 2013, Samoylova began Landscape Sublime, a long-term project on the pictorial conventions through which natural and manmade landscapes are depicted and understood. Whether on popular image sharing social media websites or in advertisements that permeate booming cities, landscapes are portrayed in idealised colors and perfect light. Conformist and conventional, such depictions are less about real places than the feelings they are meant to evoke. The algorithms of popular taste and fantasy have taken to an extreme those notions of the sublime landscape that first took hold in western art in the 18th century.

     

  • Installation View, Anastasia Samoylova, 2022
    • Anastasia Samoylova LA (On Fire), 2020 Photography 101.6 x 127 cm 40 x 50 in Edition 1/5
      Anastasia Samoylova
      LA (On Fire), 2020
      Photography
      101.6 x 127 cm
      40 x 50 in
      Edition 1/5
      Anfrage
    • Anastasia Samoylova New Developments (Miami) , 2022 Photography 101.6 x 127 cm 40 x 50 in Edition 1/5
      Anastasia Samoylova
      New Developments (Miami) , 2022
      Photography
      101.6 x 127 cm
      40 x 50 in
      Edition 1/5
      Anfrage
  • Installation View, Anastasia Samoylova, 2022
  • 'Landscape Sublime' Series
    Anastasia Samoylova
    Matterhorns, 2019
    Photography
    100 x 80 cm
    Edition 2/5

    'Landscape Sublime' Series

    For the Landscape Sublime series Samoylova sources images from various online platforms as well as her own archive. These are grouped by subject (for example, ‘mountains’, ‘wildfires’, ‘glaciers’ or ‘real estate billboards’). They are then printed out, sculpted into temporary installations, and re-photographed. The final still life images appear to be somewhere between physicality and the illusion of a computer-generated space. Informed by Russian Constructivism and the feeling of tumultuous social change it evoked, Samoylova’s tableaux offer a layered and complex commentary on the delirious power of images to shape our understanding of the world.

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  • Anastasia Samoylova, Oregon Crater Lake, 2022, Photgraphy, 107 x 188 cm, Edition 2/5
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  • About the artist

    Anastasia Samoylova is a Russian-American artist who moves between observational photography, studio practice and installation. Her work explores notions of environmentalism, consumerism and the picturesque. She received an MA in Environmental Design from Russian State University for the Humanities and an MFA from Bradley University.

     

    In 2022 solo exhibitions include: Eastman Museum, Chrysler Museum of Art, and HistoryMiami Museum. In 2020-2021 Samoylova presented solo exhibitions at the Multimedia Art Museum, Moscow; Orlando Museum of Art; and Contemporary Museum of Art, Tampa; recent group exhibitions include: America in Crisis at the Saatchi Gallery, London, UK, 2022; After Us: The Flood at the Kunst Haus Wien, 2021. In 2020 her work was included in the Biennale for Contemporary Photography at the Kunsthalle Mannheim and Wilhelm-Hack Museum, Germany. In 2022 Samoylova was shortlisted for the Deutsche Börse Photography Foundation Prize. In 2021 she was the recipient of the inaugural KBr Photo Award from the Fundación MAPFRE, Spain. Published monographs include Floridas (Steidl, 2022) and FloodZone (Steidl, 2019). Her work is in the collections of the Perez Art Museum Miami, Museum of Contemporary Photography Chicago, and Vontobel Art Collection, among others.