B. 1982 in the United States and living in Berlin, Lindsay Lawson received her BFA in Sculpture from Virginia Commonwealth University, her MFA in New Genres from UCLA, and attended the Städelschule in Frankfurt am Main. Her work spans media such as film, video, installation, photography, sculpture, performance, text, and particular types of contractual legal agreements, she named "Arrangements". Her practice often deals with issues of presence and objecthood in virtual and physical spaces. Numerous recent projects investigate states of infatuation with virtual personas and both virtual and physical objects. She recently presented a large-scale performance titled Choreography for Crane as part of the 9th Berlin Biennale.
Recent solo shows include: ‘Wokeness‘, Galerie Lisa Kandlhofer, Vienna, 2018; ‘NOPE‘, Gillmeier Rech, Berlin, 2017; 'Agency,' 8eleven, Toronto, 2017; 'Dear Stranger,' Entrée (with Jenine Marsh), 2017; 'Arrangements,' 1646, The Hague, 2016; 'Lampshading', Canapé Canopy, 2016; 'The Inner Lives of Objects', Gillmeier Rech, 2015; ‘The Real Smiling Rock Last Updated 11-06-2015‘, video room at Galerie Lisa Kandlhofer, Vienna, 2015; ‘Sad Hetero World‘, Gillmeier Rech, 2013; 'Chiaroscuro Plaything', Kinderhook & Caracas Gallery, 2012; 'American Smooth', Adds Donna Gallery, 2011.
She has been included in recent group shows such as: ‘The Intentions of Things‘, Trafó Gallery, Budapest, 2018; ‘Skip Tracer‘, M. LeBlanc, Chicago, 2018; ‘Fault Lines‘, Agora, Berlin, 2017; ‘Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther‘, Thun Ceramic Residency, Bolzano, 2017; ‘Monkey Riding Alligator‘, Hometown, Brooklyn, 2017. Upcoming group shows include: ‘Vessel in Motion‘, Kunstverein Leipzig, Leipzig; Platform Stockholm, Stockholm; Galéria Krokus, Bratislava.