Biography

Rodrigo Valenzuela (b.1982, Santiago, Chile) lives and works in Los Angeles, CA, where he is an Associate Professor and Head of the Photography Department at UCLA. 

 

 

Using staged scenes and digital interventions, Valenzuela's photography, video and installation work is rooted in the contradictory traditions of documentary and fiction, at the same time, these pursuits are equally centered on a semiotic, politically engaged post-capitalist critique of social constructs and civic institutions.

 

Rodrigo Valenzuela’s photographic assemblages are often evocative of the kind of transitional spaces in modern living associated with building construction, urban decline and civil disobedience. These built environments, already a simulacrum of reality, are further complicated by his technique of using his own photographic work as backdrops against which additional installations are seamlessly built and rephotographed. In this way a complex sense of spatial displacement is created. Taken as a whole his work makes poetic use of the liminal spaces that modern living so often places us within, locations that are always on the threshold of being built or sliding into decline. Valenzuela speaks of travelling across the US by car and paying witness to the parts of the landcape that we look away from, the discarded parts of the American Dream that line the roadside mile after mile.

 

Valenzuela is the recipient of the 2025 Foundation of Contemporary Art/ Richard Pousette-Dart award. 2024 Louis Comfort Tiffany Foundation award, 2023 Harpo Foundation Grant and the National Endowment for the Arts. He has received the 2021 Guggenheim Fellowship in Photography, the Smithsonian Artist Research Fellowship, Joan Mitchell Award, Art Matters Foundation Grant, and the Artist Trust Innovators Award. Recent solo exhibitions include The Griffin Museum of Photography, Winchester, MA; Center for Maine Contemporary Art, Rockland, ME; The Print Center, Philadelphia, PA; BRIC Arts Media, NY; Screen Series at the New Museum, NY; Jordan Schnitzer Museum of Art, Eugene, OR; Orange County Museum, Santa Ana, CA; Portland Art Museum, OR; Frye Art Museum, Seattle, WA. 

 

Recent residencies include the Headlands Center for the Arts, Sausalito, CA, Dora Maar Fellowship, Ménerbes, France; Fountainhead Residency, Miami FL; Core Fellowship at the Museum of Fine Arts, Houston, TX; Skowhegan School of Painting and Sculpture, Madison, ME; MacDowell Colony, Peterborough, NH; Bemis Center for Contemporary Arts, Omaha, NE; Lightwork, Syracuse, NY, and the Center for Photography at Woodstock, NY.

Exhibitions
Works
  • Installation View III , Afterwork
    Rodrigo Valenzuela
    Installation View III , Afterwork , 2022
  • Installation View VI, Afterwork
    Rodrigo Valenzuela
    Installation View VI, Afterwork, 2022
  • Installation View VII, Afterwork
    Rodrigo Valenzuela
    Installation View VII, Afterwork, 2022
  • Installation View, III Afterwork
    Rodrigo Valenzuela
    Installation View, III Afterwork, 2022
  • Weapons #29
    Rodrigo Valenzuela
    Weapons #29, 2022
    Silkscreen, acrylic on collage cardboard and canvas
    243.8 x 152.4 cm
    96 x 60 in
  • Weapons #30
    Rodrigo Valenzuela
    Weapons #30, 2022
    Silkscreen, acrylic on collage cardboard and canvas
    243.8 x 152.4 cm
    96 x 60 in
  • Afterwork #10
    Rodrigo Valenzuela
    Afterwork #10, 2021
    Silver gelatin print
    61 x 76 cm
    24 1/8 x 29 7/8 in
    Edition 1 of 3 + 1 AP
  • Afterwork #11
    Rodrigo Valenzuela
    Afterwork #11, 2021
    Silver gelatin print
    61 x 76 cm
    24 1/8 x 29 7/8 in
    Edition 2 of 3 + 1 AP
  • Afterwork #7
    Rodrigo Valenzuela
    Afterwork #7, 2021
    Silver gelatin print
    61 x 76.2 cm
    24 x 30 in
    Edition 1 of 3 + 1 AP
  • Afterwork #8
    Rodrigo Valenzuela
    Afterwork #8, 2021
    Silver gelatin print
    61 x 76.2 cm
    24 x 30 in
    Edition 1 of 3 + 1 AP
  • Afterwork #9
    Rodrigo Valenzuela
    Afterwork #9, 2021
    Silver gelatin print
    Edition 1 of 3 + 1 AP
  • Case #1
    Rodrigo Valenzuela
    Case #1, 2021
    Archival pigment print mounted on Dibond
    101.6 x 127 cm
    40 x 50 in
    Edition 1 of 3 + 1 AP
  • Case #2
    Rodrigo Valenzuela
    Case #2, 2021
    Archival pigment print mounted on Dibond
    101.6 x 127 cm
    40 x 50 in
    Edition 1 of 3 + 1 AP
  • Case #3
    Rodrigo Valenzuela
    Case #3, 2021
    Archival pigment print mounted on Dibond
    101.6 x 127 cm
    40 x 50 in
    Edition 1 of 3 + 1 AP
  • Weapons #16
    Rodrigo Valenzuela
    Weapons #16, 2021
    Screenprint and acrylic on collaged time cards on canvas
    121.9 x 152.4 cm
    48 x 60 in
  • Weapons #20
    Rodrigo Valenzuela
    Weapons #20, 2021
    Screenprint and acrylic on collaged time cards on canvas
    91.4 x 121.9 cm
    36 x 48 in
  • Weapons #21
    Rodrigo Valenzuela
    Weapons #21, 2021
    Screenprint and acrylic on collaged time cards on canvas
    121.9 x 91.4 cm
    48 x 36 in
  • Weapons #26
    Rodrigo Valenzuela
    Weapons #26, 2021
    Screenprint and acrylic on collaged time cards on canvas
    152.4 x 121.9 cm
    60 x 48 in
  • Weapons #28
    Rodrigo Valenzuela
    Weapons #28, 2021
    Screenprint and acrylic on collaged time cards on canvas
    121.9 x 91.4 cm
    48 x 36 in
  • Stature No. 6
    Rodrigo Valenzuela
    Stature No. 6, 2020
    Photogravure
    78.74 x 89.54 cm
    31 x 35 1/4 in
    Edition 1 of 8 plus 2AP
  • American-type #1
    Rodrigo Valenzuela
    American-type #1, 2018
    Archival pigment print
    111.8 x 137.2 cm
    44 x 54 in
    Edition of 3 plus 1 AP
  • American-type #2
    Rodrigo Valenzuela
    American-type #2, 2018
    Archival pigment print
    111.8 x 137.2 cm
    44 x 54 in
    Edition of 3 plus 1 AP
  • American-type #5
    Rodrigo Valenzuela
    American-type #5, 2018
    Archival pigment print
    111.8 x 137.2 cm
    44 x 54 in
    Edition of 3 plus 1 AP
  • Mask #2
    Rodrigo Valenzuela
    Mask #2, 2018
    archival pigment print mounted on Sintra
    100.5 x 75 cm
    39 5/8 x 29 1/2 in
  • Sense of Place No. 44
    Rodrigo Valenzuela
    Sense of Place No. 44, 2018
    Image transfer and acrylic on canvas
    90,1 x 89,9 cm
    35,43 x 35,04 in
  • Barricade No. 2
    Rodrigo Valenzuela
    Barricade No. 2, 2017
    archival pigment print mounted on Dibond
    139.7 x 114.3 cm
    55 x 45 in
    edition of 3 + 1 AP
  • Hedonic Reversal No. 4
    Rodrigo Valenzuela
    Hedonic Reversal No. 4, 2014
    archival pigment print
    137.2 x 111.8 cm
    54 x 44 in
    AP (edition of 3 plus 1AP)
  • Hedonic Reversal No. 13
    Rodrigo Valenzuela
    Hedonic Reversal No. 13, 2014
    archival pigment print
    137.2 x 111.8 cm
    54 x 44 in
    3/3 (3 plus 1 AP)
Video
Installation shots
Publications
Press

2021

Bomb Magazine, The Value of Labor: Rodrigo Valenzuela, Forrest Muelrath

Artishock, Rodrigo Valenzuela: New Works For A Postworker's World, Paula Kupfer

 

2020

ArtNow LA, Rodrigo Valenzuela: ‘Journeyman’, Jody Zellen

Contemporary Art Review Los Angeles, Rodrigo Valenzuela at Klowden Man, Matt Stromberg

Artishock, Rodrigo Valenzuela: Journeyman, (Spanish)

Musée: Vanguard of Phototgraphy Culture, Ink Goes Deep: Interview with Rodrigo Valenzuela, Mica Bahn

 

2019

LA Weekly, Feature: Best of L. A. Arts, Shananys Dambrot

Artillery, Rodrigo Valenzuela at Klowden Mann, Shana Nys Dambrot

 

2018

Artillery, Review: Rodrigo Valenzuela at Klowden Mann, Cooper Johnson

Glasstire, Review: Rodrigo Valenzuela at Art League Houston, Betsy Huete

Collector Daily, Review: Intervention @ Laurence Miller, Loring Knoblauch

Artforum, Review: General Song at Klowden Mann, Andy Campbell

Hyperallergic, The Mesmerizing Depth and Desolation of Desert Landscapes, Anna Furman

Falter, Amerikanische Typen und Nail Art in Pink

 

2017

ArtReview, Review: General Song at Upfor, Wendy Vogel

 

2016

Widewalls, Rodrigo Valenzuela Opening at Galerie Lisa Kandlhofer, Amy Lin

Phases Magazine, Hedonic Reversal: Rodrigo Valenzuela.

Los Angeles Times, Review: Shrines of disillusionment, Sharon Mizota

The Stranger, Artist Goes Looking for Heroes, Doesn't Find Any, Jen Graves

Artforum, Rodrigo Valenzuela at envoy enterprises, Emily Hall

The Boston Globe, Crumbled Vistas, Important Questions, Cait McQuaid

Artsy, Valenzuela Sheds Light on the Immigrant Experience

 

2015

Artforum, Critic's Pick, Stephanie Snyder

The Seattle Times, Review: Past and future, time and decay, Michael Upchurch

Vanguard Seattle, "Future Ruins" at the Frye, Claire Reiner

The Stranger, Review: Art and Labor Converge in Future Ruins, Charles Mudede

City Arts, The 13th Man: Future Ruins at the Frye Museum, Amanda Manitach

 

2014

The Portland Mercury, Review: Beauty and Brains, Jenna Lechner

City Arts, Review: When Labor Shines, Amanda Manitach

The Monarch Review, Interview with the artist.

Vanguard Seattle, In the Studio: The Goalkeeper, Claire Reiner

CPW, Video: Artist-In-Residence 2014

 

2013

The Stranger, 2013 Genius Award for Art, Jen Graves

 

2012

The Stranger, Inhabiting Landscapes, Charles Mudede

City Arts, A Flash, Then Nothing, Amanda Manitach